Showing posts with label industrial design. Show all posts
Showing posts with label industrial design. Show all posts

Wednesday, October 24, 2012

Interview with Martha Davis



Marilyn Monroe once said, “Give the girl the right shoes, and she can conquer the world”. Every time I marvel over Martha Davis’s shoes, that quote comes instinctively to mind. Each pair is smartly designed, well crafted, comfortable and very sexy.

Trained as a product designer at Smart Design, Razorfish, and her own company Able Design before segueing into the fashion world in the fall of 2009, she leverages her industrial design expertise by fusing hard-core functionality with unique sculptural possibilities to create some very impressive shoes.

“I think of shoes as little products or architecture for the feet—both share similar purpose of protection, organization, and personality,” says the designer. An expert at looking for solutions within a problem, she never loses sight of ways to keep the foot secure and the wearer confident, while at the same time innovating with form and experimenting with structure and materials.

“I look at where the foot needs to be supported and where it doesn’t—then how the materials and shapes can be arranged in an interesting way. I like a bit of tension—something unexpected—whether it’s in the proportions, compositions, or materials,” Davis says.

This past winter, Martha was a resident at the newly formed The Workshop Residence in San Francisco. This exciting collective engages makers of all kinds: emerging and established, traditional and unexpected, and invites them to collaborate with the Bay Area’s vibrant artistic and craft communities. During her residency there, she blended industry and craftsmanship to design three distinctive shoes. While all of the shoes use the same vegetable-tanned leather and have similarities in the shape and construction of the shoe, the key point of innovation is the design of the heel.

“Kasha” features a heel with colored resin and utilizes the outer part of a redwood tree trunk known as the “jacket”. This part of the tree is considered waste product by sawmills, but Martha envisioned this beautiful and striking substance as a way to give the shoes a truly bespoke feeling.

Kasha

For “Simone”, raw materials are carefully selected from the undulating folds of Black Acacia wood harvested in the San Francisco Bay.

Simone

Finally, “Sugi” has an adjustable heel made with repurposed Douglas Fir. Additionally she constructs the shoe with wood originally used as brakes for San Francisco’s iconic cable cars. Due to the wear and tear, the brakes on the cable cars are replaced every 72 hours. Martha resurfaced the brakes and cut the heels directly from them—the stunning result is a stylish oval that swivels on a pin to two heel heights.

Sugi

Martha is joining forces with creative director Susanna Dulkinys to create Dulkinys Davis, a new fashion label made in the USA. The collection will consist of basics centered around leather, blending traditional and innovation to create modern shapes and exceptionally high-quality, handmade products. More on their collaboration in a future post.

With out further ado, here’s my Q&A with the alluring and magical Martha Davis.

Job description: a forever student—i hope!

Why do you do what you do? i am a terminal non-linear thinker

How do you break through a creative block? look at stuff

Education: cornell art/arch/planning school: 82-84
risd: bfa sculpture 86
are sutoria: footwear engineering certificate 07

Mentors: my dad & tucker viemeister

World-saving mission: help people appreciate making things and live more self sufficiently

Office chair: Eames

Office Soundtrack: Italian opera

Most useful tool: apple air book/ husquvarna sewing machine i got as a gift when i was 17

Favorite space: the giardiniin venice

Favorite design object: paperclip

Guilty Pleasure: naps

Underrated: plumbing

Overrated: facebook

What did you learn the hard way? to love

If you could cross over into other profession… what would you do? be an architect or a surgeon

Dream project: to start a factory that could employ all kinds of people and give local vitality

Where’s home? san francisco



Fall 2011

Tuesday, February 21, 2012

Q&A with Todd Bracher

Todd Bracher’s work is instantly recognizable (and highly desirable) due to its simple functioning lines, alluring materials, and stunning workmanship. He describes his philosophy in a way that’s as honest and thought-provoking as his designs: “Reduction is very important to me…how we can take away everything and just leave what we need behind. That reveals for us something new, something that’s genuine and truthful, that’s not trying to be anything but what it is.” A native New Yorker, he spent 10 years living and working abroad in Copenhagen, Milan, Paris, and London before moving his practice to Brooklyn in 2007. His depth and breadth of experience ranges from heading up Tom Dixon’s design studio, acting Professor of Design at l’ESAD in Reims France, and serving as Creative Director of the Scandinavian luxury brand Georg Jensen.

Here’s my Q&A with the thoughtful and talented Todd Bracher.

Job description: Strategic Designer.

Why do you do what you do? I love connecting business solutions with design so that the end result is not only for increased company revenue but also a higher level of experience for the consumer. A definite win / win.

How do you break through a creative block? When I am blocked for me this always means that I am lacking information... so immediately I take back to the research and comb through again to see what I can rediscover to help get the ball rolling again...

Education: Yes I have a masters in Interior design and in Furniture design, but for me my education was the 10 years I spent living in Europe, winning, losing, failing, succeeding...

Mentors: Charles Darwin and Hokusai.

World-saving mission: My wife and I are saving the white sharks from extinction!

Office chair: The Supporto (Frederick Scott).

Office Soundtrack:Ideally music I have never heard before. This is the best for me to work with.

Most useful tool: No doubt that would be the mind where 85% of my solutions are born developed and executed.

Favorite space: Dark, natural, quiet, purposeful.

Favorite design object: The Zani & Zani pieces by Enzo Mari.

Guilty Pleasure: Food I have never tasted before.

Underrated: Travel to somewhere I have never been.

Overrated: Travel to somewhere I have already been.

What did you learn the hard way? Design is difficult and you have to be up for the challenge.

Has your work ever gotten you into trouble? No.

If you could cross over into other profession… what would you do? Physicist or Anthropologist.

Dream project: A single engine airplane.

Where’s home? An oddly shaped map I have in my mind.




You can easily sit or recline in this sofa or daybed that is appropriately called Freud for Zanotta in 2002.

Vas Glass Carafe for Italesse inspired by a pelican’s neck.



Stackable steel Alodia stool for Cappellini became available in 2010.


Simple and elegant steel and silicone kitchen utensils (2009) for Eva Trio.

The sculptural Stick Lamps (2009) made with metal tubing and Led lights were inspired by stick insects and deep-sea angler fish.

The Canard table system designed for Horm (2011) is simple and flexible. The four independent metal legs support a variety of structural surfaces and finishes.

T-no1 for Fritz Hansen (2007) is minimal in it's approach. “A surface for function, ribs to support the surface, a spine to hold the ribs and legs to bring the construction off the floor. Nothing more, nothing less” says Todd.


Black Dome lamp for Mater (2007) inspired by how light emanates in a 360 degree pattern. The Dome is made out of spun aluminum by one of the few remaining workshops in Denmark that has master the technique to perfection.

Bracher’s Trea chair (2011) finds inspiration from the movements of an exoskeleton which brings support and comfort to the sitter in both upright and reclined positions.

Link to Todd’s site