Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

Wednesday, October 24, 2012

Interview with Martha Davis



Marilyn Monroe once said, “Give the girl the right shoes, and she can conquer the world”. Every time I marvel over Martha Davis’s shoes, that quote comes instinctively to mind. Each pair is smartly designed, well crafted, comfortable and very sexy.

Trained as a product designer at Smart Design, Razorfish, and her own company Able Design before segueing into the fashion world in the fall of 2009, she leverages her industrial design expertise by fusing hard-core functionality with unique sculptural possibilities to create some very impressive shoes.

“I think of shoes as little products or architecture for the feet—both share similar purpose of protection, organization, and personality,” says the designer. An expert at looking for solutions within a problem, she never loses sight of ways to keep the foot secure and the wearer confident, while at the same time innovating with form and experimenting with structure and materials.

“I look at where the foot needs to be supported and where it doesn’t—then how the materials and shapes can be arranged in an interesting way. I like a bit of tension—something unexpected—whether it’s in the proportions, compositions, or materials,” Davis says.

This past winter, Martha was a resident at the newly formed The Workshop Residence in San Francisco. This exciting collective engages makers of all kinds: emerging and established, traditional and unexpected, and invites them to collaborate with the Bay Area’s vibrant artistic and craft communities. During her residency there, she blended industry and craftsmanship to design three distinctive shoes. While all of the shoes use the same vegetable-tanned leather and have similarities in the shape and construction of the shoe, the key point of innovation is the design of the heel.

“Kasha” features a heel with colored resin and utilizes the outer part of a redwood tree trunk known as the “jacket”. This part of the tree is considered waste product by sawmills, but Martha envisioned this beautiful and striking substance as a way to give the shoes a truly bespoke feeling.

Kasha

For “Simone”, raw materials are carefully selected from the undulating folds of Black Acacia wood harvested in the San Francisco Bay.

Simone

Finally, “Sugi” has an adjustable heel made with repurposed Douglas Fir. Additionally she constructs the shoe with wood originally used as brakes for San Francisco’s iconic cable cars. Due to the wear and tear, the brakes on the cable cars are replaced every 72 hours. Martha resurfaced the brakes and cut the heels directly from them—the stunning result is a stylish oval that swivels on a pin to two heel heights.

Sugi

Martha is joining forces with creative director Susanna Dulkinys to create Dulkinys Davis, a new fashion label made in the USA. The collection will consist of basics centered around leather, blending traditional and innovation to create modern shapes and exceptionally high-quality, handmade products. More on their collaboration in a future post.

With out further ado, here’s my Q&A with the alluring and magical Martha Davis.

Job description: a forever student—i hope!

Why do you do what you do? i am a terminal non-linear thinker

How do you break through a creative block? look at stuff

Education: cornell art/arch/planning school: 82-84
risd: bfa sculpture 86
are sutoria: footwear engineering certificate 07

Mentors: my dad & tucker viemeister

World-saving mission: help people appreciate making things and live more self sufficiently

Office chair: Eames

Office Soundtrack: Italian opera

Most useful tool: apple air book/ husquvarna sewing machine i got as a gift when i was 17

Favorite space: the giardiniin venice

Favorite design object: paperclip

Guilty Pleasure: naps

Underrated: plumbing

Overrated: facebook

What did you learn the hard way? to love

If you could cross over into other profession… what would you do? be an architect or a surgeon

Dream project: to start a factory that could employ all kinds of people and give local vitality

Where’s home? san francisco



Fall 2011

Monday, August 1, 2011

Unravel: Knitwear in Fashion

Tilda Swinton wearing four Sandra Backlund silhouettes photographed for
Another Magazine by Craig McDean.

It’s pretty simple—right? Drop one, pick up two, drop one. In knittings most basic form all you need is a pair of needles and a ball of yarn. Think again. Early summer I had the opportunity to see the “Unravel” exhibition at MOMU—Fashion Museum Province of Antwerp. The show helps re-brand knitting from old fashion to “uber-cool”.

Kaat Debo, director of MOMU, states in the show catalogue—“This exhibition does not intend to sketch an exhaustive history of knitwear, but aims to look beyond the stuffy image that may seem to attribute to it.” The exhibit has been curated by Karen Van Godtsenhoven (MOMU) and Emmanuelle Dirix (Winchester School of Art, Southhampton Universtiy and the Fashion Department of the Royal Academy of Antwerp. The examples presented range from ready-to-wear to haute couture encompassing both hand and machine knitted from established names to young emerging designers.

The highlight for me were the designers who hand-knitted the garments. The pieces show innovation with a bespoke stamp. The garments appear to emerge from knitting rather than patterns. I particularly feel this way about the work by Swedish Sandra Backlund. (top picture)

For those who would like to learn more, the exhibition catalogue by Emmanuelle Dirix takes a look at the history, production methods, social histories and the aesthetic (r)evolutions of knitwear in fashion.

After leaving the exhibit I wanted to pick up my needles, gets some yarn and start a project. Once the summer heat dies down I’m definitely going to make the Margiela military sock sweater since he offers up the instruction in the true spirit of making.


A tribute to Ann Salens’s multi-colored silk dresses. (1970-1975)

Christian Wijnants created the tie-dye dress for the exhibition.
He is a teacher, specializing in knitwear, at the Royal Academy for Fine Arts in Antwerp.
His work has been inspired by Ann Salens (above). Photography: Viviane Sassen


1910 - 1930s knitted swimsuits ranging from wool, jersey and
cotton became an icon for the modern era.


Bathing Suit by Elsa Schiaparelli, circa 1928 © Condé Nast Archive / Corbis



Dirk van Saene’s Petite and Heidi, two woolen jumpers with
knit trompe l’oeil motives. (2008-2009)


John Car Doughtly, 1966 © London College of Fashion


Woolen sweater made from military socks, Maison Martin Margiela, 1991-1992.
Photo Jacques Sonck

Martin Margiela instructions on how to make your very own woolen sweater from socks
published in A Magazine ( June 2004 ) curated by Maison Martin Margiela.



Installation “The Supermarket of Style” designed by Angelo Figus, art director and trend forecaster at Pitti Filati/Pitti Immagine, Florence. Originally the installation appeared in 2006 for the Italian Fashion fair Pitti Imaagine to predict fashion trends. He created a world that is all knitted ranging from status symbols like the fashion bags, Rietveld chair to groceries and washing machines. In 2006 ironically enough a real knitted Vuitton bag appeared. As stated in the catalogue that Figus chose knitwear because “it is an art, but also a science, almost like algebra, that gives rise to new formulas that lead to new results.”


Mind-boggling handknitted pieces from various designers from Yohji Yamamoto to
Sandra Backlund. My personal favorite of the exhibition.


Included in the exhibition was fashionable and historical hosiery.
Above shows hoisery by Bernhard Wilhelm from his women’s collection from 2007.
Photo by Carmen Freudenthal. Styled by Elle Verhagen


Knitted fishnet stockings by Jurgi Persoons, 1999. Photo by Ronald Stoops

Friday, November 13, 2009

Estelle Hanania

















A couple of weeks ago I had the pleasure of meeting French photographer Estelle Hanania. We were fascinated by the stories she chooses to tell with her pictures. One series called the “Demoniac Babble” captures a yearly pagan ritual in Switzerland where a group of men roam from farm to farm, singing and drinking in celebration for winter and to frighten the bad spirits away. For months men create their demonic outfits. At first glance in these images, the men appear to be plant-like sculptures but upon closer inspection you realize that they are humans dressed in these outlandish earthly costumes.

She also has an eye for fashion. I’m including some images of her latest catalogue for Urban Outfitters. They really elevated their look with this catalogue. It’s more minimal and sophisticated.