The Hourglass from Ikepod on Vimeo.
Monday, April 25, 2011
The Hourglass by Marc Newson
Labels:
hourglass,
Marc Newson,
Philip Andelman,
product design
Friday, April 15, 2011
Chris Antemann





Chris Antemann’s figural porcelain tableaux are naughty, resembling 18th-century French courtiers and housemaids cavorting with naked suitors. I start thinking of Marie Antoinette and her entourage prancing about Versailles. An homage to traditional European and Asian figurines (think Meissen, Staffordshire, Royal Delft) Antemann’s milieus are marked by flawlessly delicate craftsmanship and are about relationships between women and androgynous men giving the settings an erotic and emotional charge. This summer Antemann is setting up shop at Meissen, the three-hundred-year old venerable German porcelain factory to embark on making oversize mise-en-scènes. I can’t hardly wait.
Monday, March 21, 2011
Marloes ten Bhömer






Marloes ten Bhömer innovative footwear combines clean lines, materials and construction techniques that are influenced by
design and architecture.
“Her works question our perception of functionality, fusing
art and technology to create an origami like production, working with materials ranging from wood to polyurethane resin,
tarpaulin, steel and fiberglass”, quoted from the Virtual Shoe
Labels:
architecture,
materials,
product design,
shoe design
Wednesday, March 16, 2011
Synesthesia / Directed by Terri Timely
Synesthesia is a neurologically-based condition when one sensory stimulus triggers a different kind of sensation like seeing colors and shapes when you hear music or like smelling one thing when tasting another. What does a blueberry sound like?
This short film titled Synesthesia is directed by Bay Area Ian Kibbey and Corey Creasey whose moniker is Terri Timely. The two met whilst studying at Berkeley and have made over 25 videos to date. Synesthesia is a personal project. The short depicts an asian family during which each member of the family experience a different aspect of the condition.
The set design and wardrobe was influenced by the architecture and interior design of Ho Chi Minh City’s Reunification Palace (Vietnam).
Labels:
Corey Creasey,
film,
Ian Kibbery,
Synethesia
Friday, July 16, 2010
Neues Museum / Photographs by Frederike Von Rauch










A few months ago Mike and I were visiting Berlin to celebrate our dear friend, Susana’s birthday. One afternoon after the festivities had died down, we wandered over to the Neues Museum. Situated in the center of the Museum Island it is one impressive piece of architecture. The museum is one of the last big buildings in Berlin to be brought back to life. After World War II, the building had been a ruin; and it has reopened to contain the very same art, Berlin’s famous Egyptian collection, before it got bombed out. Architect David Chipperfield can be credited for the conservation of the building. The process took ten years. In June 15, 2010 David Chipperfield Architects’ Neues Museum received the Grand Prix of the European Heritage Awards. The award highlights Europe’s best achievements preserving Europe’s rich architectural, landscape, archaeological and artistic heritage. The incorporation of modern architecture is so sensitive and considered that I can see why it took so many years. Each room reveals historical breaches while harmonizing them with the needs of a contemporary functioning museum. He preserved the Neoclassical lines while at the same time creating working modern spaces.
Included here are the photographs of Friedrike Von Rauch and her visual documentation of the building in the final stages. She captured moments of unbelievable beauty in the building. Through the photographs you can’t help imagine the building’s past and future which reveals the genius of Chipperfield’s plan.
Saturday, March 6, 2010
Bonnie Cashin




Have you ever studied a person in a photograph and imagined that they must have had an exciting and marvelous life? When I look at pictures of Bonnie Cashin (1915-2000), Californian-born designer, that’s what comes to my mind. She looks like she is having fun even when she was working. I love her whimsical childhood drawings of the La La Girls. Legend has it helped her secure her first job as a costume designer.
In her day Cashin shunned Parisian couturiers that was widely accepted as the arbiters of global fashion. She created practical but stylish lightweight separates that could be layered and adapted to the modern woman’s lifestyle. Her clothes transitioned from season to season, city to country and day to night. Her pragmatic but stylish design popularized the notion that woman could be chic without sacrificing comfort. She is indeed a pioneer designer in creating ready-to-wear fashion. She is also known for turning Coach from a men’s wallet company to an innovative handbag company during the 60’s.
Her design approach and fresh aesthetics made her alluring for many companies. She freelanced for companies like American Airlines, Samsonite, Bergdorf Gooman, White Stag to Hermes.
Constantly globetrotting around the world she found inspiration in her travels. You see it in her designs and her home. This quote from Cashin sums it up nicely for me. “My interests are people and how they look. I remember the way a fisherman wore his shirt in Portofino—the odd chic of the beige and white starched habit of a little nun in Spain—the straw hat of a man riding a donkey in Rhodes—a man’s wedding scarf in India—the elegant drape of a panung in Bangkok.”
Labels:
Bonnie Cashin,
Fashion designer,
interiors,
lifestyle
Wednesday, March 3, 2010
Vasconcelos Library in Mexico City











Every architect I know would love to design a library, the modern temple of knowledge. It’s a demanding and prestigious project. One of my favorites is the Vasconcelos Library in Mexico City. Winners of an open competition which elicited 590 proposals were Alberto Kalach, Juan Palomar, Gustavo Lipkau and Tonatiuh Martinez.
I’m drawn to how the books are distributed in large metal cages that hang from the five levels of the building and appear like floating clouds of knowledge above the long reading hall. The Library includes a music room and an auditorium that seats 520 people. A botanical garden with vegetation characteristic of the Valley of Mexico surrounds and protects the building from noise and creates a more intimate environment in the reading rooms.
Check out this interview with Alberto Kalach by Jose Castillo for Bomb magazine. Click.
The photography is by Tomas Casademunt.
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